Maybe we all do it, we aspirant authors novelists scribblers … we spend more time ‘writing about writing’ * than we do on a piece of work that hints at the notion we might be an actual writer.
* As if to prove my point, I have a section in this publication dedicated to ‘writing about writing’. There you have it, we have no further witnesses to call, case closed. See also, this post, and I would like 18 other offences taken into consideration.
So, here’s the confession …
I’m scared to commit to my words. Not any words. The words. The story I have nagging away at me. The idea and the words to bring it to life. I ask myself, why won’t you commit? What is stopping you? I manage to gather interesting content for two newsletters every week … I even write a few words to ‘top and tail’ each edition. Usually, I spend about 4 hours on each one … obviously, I drag that out over two full days as I flit hither and thither procrastinating to Olympic standard. I make tea, wander outside, read a few things that will never make it into that week’s curation … a sandwich here, a biscuit there … I go cycling, emptying my head of everything (including the plotline for the story I mentioned up there). Anyway, I do all that - two newsletters, every single week. In one case, that is very nearly 8 years of newsletter. Yet I fail to write.
Here’s the big question …
Why, oh why [shakes his head disappointedly] can I not commit some of that effort to creative writing (okay, minus the procrastination because that is not getting any of us anywhere).
Reasons:
If I produce something, people will read it and it won’t be half as good as I think it is.
I’m scared of mining the emotions at the heart of it.
Distractions … I am too damn distractable.
Did I mention, I’m worried it will be rubbish - and I don’t just mean a necessary ‘shitty first draft’ (Anne Lamott Bird by Bird) … I mean, the whole thing might be terrible and you can’t put lipstick on a pig.
It is easier to write throw-away flash fiction … a modest distraction. Ten minutes, 100 words, tomorrow’s chip paper, newspaper pages blowing down a deserted urban landscape. Easy come, easy go.
The tyranny of the blank page (I hear you
).It is WAY easier to blow sunshine in the direction of other writers.
Other writers are SO much better.
I have been reading books by excellent writers, all the while questioning why I even have notions (I mean, have you read
… jaw-droppingly good … my paltry offerings retreat back into my fountain pen).Here’s the hard one … I haven’t committed to putting in the work. [speak up, says the echo of my old headmaster as we discuss another term of plumbing depths not scaling heights … “I HAVEN’T COMMITTED TO PUTTING IN THE WORK, SIR”). Somehow, I seem to think the words will just appear; ideas will flow; plot lines will unfurl; characters will unveil themselves; the tide will ebb and flow. Sorry, Barrie, says my necessarily stentorian inner voice, writing is not like that.
The solution … ah, so much easier said than done, but …
Just Write Fiction, Right?
If you missed it up there ☝️ do check it out down here 👇 … there are practical solutions galore in this piece by
I’m reading this, Ed, you’ve won.
There is nothing wrong with being an aspirant scribbler when you turn out stories like you do Barrie, I've never read one where I thought at the end 'Barrie must be having a bad day' or 'hmm, not sure about this one' everything you publish is better than the one before and I reckon, if, no, not if, when you get that novel finished, we will all be saying 'Wow, this is amaze balls!'
Just write right! Go!
This is very honest, and honestly very relatable. And thank you for sharing my piece, too: the blank page can be a tyrant, but it loses more often than it wins.
For what it’s worth (and from the biased perspective of someone who has also done more *writing about writing* than *fiction writing* of late) your newsletters and notes are all still writing: they take time, craft, talent. Sure, they don’t have the same prestige as a weighty literary tome, but they still have value. Writing anything is hard, yet you’re (we’re) managing it. Something to take pride in, there.